K-POP and Finance: The First Institutional RWA Linked to Live Concerts is Born in Asia
The Asian financial landscape is enriched by an unprecedented innovation: WITCH, a cultural technology company, has partnered with SBI Digital Markets, DOD, and Kyobo Life Insurance to launch one of the first institutional investment products in Asia directly linked to K-POP concert revenues.
This initiative, unique in its kind, marks a decisive step in the union between regulated financial infrastructures and the growing global impact of Korean pop music.
The first tranche of the product, named $CNCRT, was closed with institutional investors outside the United States, through SBI Digital Markets, a licensed digital partner in Singapore and a benchmark for major financial institutions. The offering was structured in full compliance with Regulation S of the U.S. Securities Act, thus ensuring maximum transparency and regulatory compliance.
How the New K-POP RWA Asset Works
An Innovative Financial Product
The core of the operation lies in transforming revenues generated from live concerts into real investment instruments, known as Real World Asset (RWA). WITCH, through its U.S. subsidiary MDW Finance, acted as the issuer and structurer of the offering, thus paving the way for a new asset class: the K-POP RWA.
Unlike traditional digital assets, $CNCRT is backed by tangible revenue streams from two major K-POP properties: the Korea Grand Music Awards (KGMA 2025), a flagship event broadcast worldwide that attracts top stars and an international audience, and the world tour of a prominent K-POP solo artist. This structure provides investors with a solid and transparent foundation, anchored to the real performance of the live entertainment sector.
The Role of Partners
SBI Digital Markets acts as the exclusive distributor of the product, while DOD, a Korean company specializing in the production of large events and the development of intellectual property for K-POP artists, serves as the IP guarantor and operational partner. The presence of Kyobo Life Insurance adds further institutional solidity to the initiative.
According to Min Joon Lee, founder and CEO of WITCH:
“The launch of this product marks a turning point for global investors’ access to the value of K-POP. By combining our expertise in entertainment IP with the discipline of regulated finance, we are opening a new path where culture becomes a true investable asset class.”
Beyond Returns: Exclusive Experiences for Investors
A New Paradigm of Cultural Investment
The innovation of $CNCRT is not limited to the financial aspect. Investors, in addition to potential stable returns, can access exclusive benefits tied to the IP, such as curated fan experiences and limited edition digital collectibles associated with the involved K-POP events. This dual nature – economic return and cultural engagement – embodies WITCH’s vision of redefining the relationship between culture and capital.
Youngjae Jeon, Vice President of DOD, emphasizes:
“This partnership demonstrates how the live entertainment business can be integrated into transparent financial products managed at an institutional level. It is a fundamental step in building a sustainable and long-term investment framework for the K-POP ecosystem.”
A Replicable Model for the Future
The issuance of $CNCRT marks the first time a regulated product, linked to live events, is structured on K-POP assets in Asian institutional markets. The model adopted by WITCH and MDW Finance could pave the way for further similar initiatives, fostering the creation of a secondary market for cultural and artistic assets, and offering new opportunities for both investors and entertainment operators.
The Impact on the Capital Markets and the K-POP Industry
A Bridge Between Two Worlds
The initiative serves as a bridge between the world of popular culture and regulated finance, providing institutional investors with direct and transparent access to one of the most dynamic and rapidly growing industries on the global stage. The ability to tokenize the revenues of live events and make them investable on a large scale could revolutionize the way cultural content is financed and valued.
Towards a New Asset Class
With the emergence of K-POP RWA, the Asian financial sector is opening up to a new asset class, capable of combining cash flow stability with investors’ emotional engagement. This evolution could attract the attention of other segments of the entertainment industry, fostering the growth of similar products related to sports, cinema, and visual arts.
Conclusions: Culture Becomes Investable
The launch of $CNCRT by WITCH, in collaboration with SBI Digital Markets, DOD, and Kyobo Life Insurance, marks the beginning of a new era for finance and entertainment in Asia.
For the first time, the economic and cultural value of major K-POP events is made accessible to institutional investors through regulated, transparent, and innovative instruments.
This initiative not only offers new yield opportunities but also redefines the very concept of cultural investment, transforming the passion for music and entertainment into a growth lever for capital markets. The future of finance, in Asia and beyond, could increasingly speak the language of pop culture.
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